Farthington's Voicemail: working in very real waste toward a future products

A treasure trove of Carlton Farthington's voicemails has recently been made available to the blog.  At the request of researchers, enthusiasts, law enforcement agencies, and other followers of the project, voice-to-text transcriptions have been published as-is rather than edited for sense.  We hope that this will better capture the texture of the spoken word, rendering it more accessible and/or flexible for the diverse purposes of our audience.



4/6/14 8:12 PM 6 days ago

So continuing. It's. It's not an ideal neither of those. Sorry a good thing. I think those are not the ideal you have on the one hand you have the The things that are biting time where you have a product in the moment you have something that you can put out and make available in the moment you our continually providing a steady stream of that. That's. That's one aspect. And you have the full flat nicht, fully realized, traditional completed work of art. As it is Ben, understood to be and past decades and centuries, that that almost impossible to realize, thing product. You have those two extremes, and I think maybe this is just you know, maybe I'm just talking about something logistical here. Maybe there is something eager to this but synthesis of those two extremes. Is Really this thing that is more concrete than either of them. Both of them house and abstract this to them, and and the middle option. The synthesis is the one that seems most concrete to me. Is the incremental step. That. Is it sells for product, is itself something that can be put out fairly frequently, is not one of those far off nearly impossible to realize dreams. But at the same time is not just reading water is not just biding time. It's a product in and of itself. But it is also working in very real waste toward a future products. You know that future product may never be realized. It is working toward that. To me that's the sweet spot, and again that may just be simple logistical matter I want to know if it is something central if it is something for the medics about the project, and of itself. Something about the project, is about. That antithesis, the synthesis of those two extremes.