Farthington's Voicemail: some kind of Paris to the existence

A treasure trove of Carlton Farthington's voicemails has recently been made available to the blog.  At the request of researchers, enthusiasts, law enforcement agencies, and other followers of the project, voice-to-text transcriptions have been published as-is rather than edited for sense.  We hope that this will better capture the texture of the spoken word, rendering it more accessible and/or flexible for the diverse purposes of our audience.



3/20/14 4:07 PM 8 days ago

Art:

But just continuing with this idea that good evil isn't anything you know it's not a created thing, we're not manic hands. I believe are the ones to kind of stuff that there was is battle between kind of a more journalistic reality where you got a good good side of the bad side and in the books are. Read all and it's That kind of the difficult thing the rap ones that are in a row. I see. I had the idea that there is no one SAC. There's only one side and it's so good. And so on that evil, though. Read all doesn't truly exist. And the sense that we talk about. Things in this Universe existing that it is black And you know I'm not saying anything new. They did slack black and What is that look like and again. Like I said in the previous call. Is it something with 8. How is it something like my house. You Know followed out and and without anything to say You know, but just something that re echoes that and and you know see his on things and and has has some kind of Paris to the existence. With the table too. Hey grounds for being find the ground of being it. Bye, rejected. The Ground Up at the And Still Life becomes and I go in except for the next ground of it, we talk a little bit about how This is a lot like what goes on, online where people I'll be posting and between eating and and bad thing You know where it is all this content come from. Who are the actual actors. Where is the actual stage advocates it receipts, further and further from view. The actual as we become just one more. Arch in the process. A M, leading our eyes back to What as as time goes on. There is less class. This is being framed there's less and less of is being presented. For our Perot's all. And it's it's just discontinuing ongoing process at dinner tonight.