I know I said this yesterday, but I really do think creating a pilot and a few episodes is a way forward. It basically gives us freedom to dwell in conceptual land and let somebody else worry about how to buy the gear, stage the performances, act the parts, etc.
Television |
I think the advantage of working on scripts is that we can go as grandiose as we want to without having to invest anything other than time and thought, which we always invest anyway. And like I said, I can initiate some of the writing this summer and then we could tweak it back and forth so that the onus isn't on you to crank out 42-page scripts while changing little Francis.
It seems to me that the time is ripe to push a TV show as original as ours could be. Everyone wants quirky novelesque, hour-long, serial period-piece these days, everyone wants to win an Emmy, and downloadable TV has made it so that Netflix and Hulu are making award-winning TV without broadcasting. Pretty wild times.
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